Here’s a little flashback to last summer in Norway. Just wanted to share the feeling of base jumping off the edge, flying from Smellveggen exit to landing at the Lower Ladder landing area. So the video and sound is uncut from my gopro, to share my point of view. At the exit I was trying to convince my friend Martin, who jumped with me, to land in the water just for the fun of it – but he did not seem very hooked on this particular idea.
The year before I actually decided myself to test out the Lysefjord water temperature.Take a look at these screen grabs from the video – sorry about the poor quality, but I decided to leave my Canon 5D behind on this jump.
If you want to see the waterlanding in the Lysefjord, it is the last part of this video from 2011:
Spending a little time at Kjerag. A few days ago I brought my camera to the mountain to catch some of the action.
It’s here! The official video from the base jumping and climbing expedition to Colombian Sierra Nevada del Cocuy is out. Truly looks like an awesome team and a magnificent place on earth to visit!
The full article: Base climb expedition in the Sierra Nevada’s
Read the full article here. Get a unique insight into their struggles to succeed on their quest.
- You can LIKE their page on Facebook here https://www.facebook.com/verticalbase
I was travelling with my friend Nikolaj through Europe last summer. One sunny morning we came across this nice concrete structure. Luckily our rigs very already in slider down configuration :-).
Music is: Post Humous by Morcheeba – Get it here:
Dear Reader, as you may have noticed, I have a passion for jumping off big vertical cliffs. Alongside that adventure I try to capture photographs of some of those moments I experience when I am flying. So I am trying to combine free falling with decent photography.
Every time I get a chance to bring my camera to the mountain I feel that I have the opportunity to learn something new about photography. Because every jump is so unique in it’s nature, there is a lot of considerations going through my mind, and it takes a good deal of preparation and forward thinking to get everything right, and most importantly – to make every jump as safe as possible.
Every jump is unique because I might be jumping with people I haven’t jumped with before, or perhaps I am going to jump a cliff that I’m not 100 percent familiar with. Also weather changes in particular mean that any initial plan will sometimes need to be modified in order to work, or even be aborted. So I make individual assessments of each cliff and situation, in order to judge it a safe jump for shooting photographs or not.
Planning – and sticking to the plan
Before I step off any edge I agree to a plan with the subject I am photographing. Here I am following Patto off exit 6 at Kjerag. Planning and agreeing to the jump, and sticking to that plan is key. I had seen Patto jump several times, some I knew exactly what to expect once we jumped. I knew that he always is slightly head high, and then quickly goes into a short dive to build speed for the “take off” of his track.
So that made my task easy, just follow his exit flow, shoot the exit shots, then stay with him for a short while for a few more images and then slowing down my speed for a high opening. I also managed to capture the happy sunny handshake moment after the successful jump.
Assessing light conditions
My biggest challenge so far has been to assess and predict the light conditions throughout the jump. So making my aperture and shutter speed choices become my primary tasks after planning the jump with the person/persons I am photographing.
Like at Kjerag in Norway my subjects are often exposed to strong sunlight at the top of the mountain. But as soon as we step off the edge and start falling we then slip into the shade of the cliff. On the day I did these images with Patto, it was quite lates in the afternoon, so light conditions were good all the way to the bottom.
However, camera settings, light conditions and watching for the right angles can become NOT VERY IMPORTANT. Well, on a base jump that is… My point is, once I am ready to make the last few steps towards the exit point, I don’t really care about the potentially fantastic images I could capture. My primary focus is on executing a safe and fun jump.
I like to think of every jump in different “safety-stages”:
- Checking my base jumping rig and tracking suit (pins, bridle, pilot chute, cables, straps)
- Putting on my rig and tracking suit – and re-checking leg/chest straps, zippers and pilot chute reach
- Then checking helmet, and that camera is mounted safely
- Agreeing to jump plan, checking light conditions
- When ready to jump, I double check leg/chest straps, helmet chin cup is secured and pilot chite reach
- Then I can walk to the edge and jump
- MOST importantly: Having FUN!
The forces involved with carrying a heavy camera and lens mounted to my helmet are significant when applied to the base jumping environment. In most cases you can pack your base parachute for a sweet opening,
and you can position yourself for a smooth opening. But opening from a high speed track or dive can really put some serious strain to my body.
My solution so far has been to add an additional margin to leave time for potential issues that require “immediate problem solving attention”. Like line twists which may put additional strain on my neck. So opening high and slowing down my horizontal speed from the track works well for me.
Stay tuned for Part 2 of this article
In part 2 I will elaborate a bit more on these topics:
- Difference between failure and succes
- Not knowing what to expect
- Not going according to plan
- Equipment I am using
- Future plans – why not fly a wingsuit?
For more base jumping, big wall and people photography – please have a look at my GALLERY (will be adding lot’s when time permits…)